Robert Tracinski: Is Music Theory Racist?
KEY MOMENTS
0:00 – Intro and welcoming Robert Tracinski
1:38 – Gary the Trump defender and being contrarian
3:45 – Objectivism, classical liberalism, and politics
6:07 – Free speech and ruling opponents out of bounds
8:47 – Defending the classics and Heinrich Schenker
11:04 – The "inequality of tones" and guilt by association
12:49 – Ellsworth Toohey and attacks on greatness
14:14 – Beethoven's Fifth and recognizing greatness
16:13 – CEO pay and what is not seen
20:27 – How schools dumbed down the arts
22:57 – Student loans and the decline of liberal arts
23:33 – Empty seats at dance, opera, and symphony
26:53 – Modernism and the death of the highbrow
30:21 – Reading only books about people like you
31:34 – Adapting Shakespeare across cultures
33:06 – Teaching Twelfth Night and playing in King Lear
35:46 – Original pronunciation and American accents
38:48 – Seeing Michelangelo's David in Florence
42:56 – How the culture war ends: culture wins
44:45 – The theory of wokeness relativity
47:10 – Honor, dignity, and victimhood cultures
49:18 – Identity, achievement, and taking credit
53:00 – What objectivism really is
56:20 – Doing your work your way
58:16 – Sinatra, pop music, and classical roots
1:00:58 – Amateur music making and wrap-up
ABOUT THIS EPISODE
Robert Tracinski of Symposium on Substack and TracinskiLetter.com joins Lou to talk about defending the classics, whether music theory is racist, how schools dumbed down the arts, and Lou's brief stint as a Shakespearean actor.
We also get into Heinrich Schenker and the "inequality of tones," Ellsworth Toohey and attacks on greatness, Beethoven's Fifth, CEO pay and what is not seen, empty seats at the opera and symphony, modernism and the death of the highbrow, teaching Twelfth Night and playing in King Lear, original Shakespearean pronunciation, Michelangelo's David, the theory of wokeness relativity, what Objectivism really is, and Sinatra's classical roots.