Rambo Van Halen: Why a Hollywood Producer Walked Away
KEY MOMENTS
0:00 – Intro — who is Rambo Van Halen?
1:40 – What a producer actually does (it's mostly administration)
3:50 – Building a bubble around the creatives — and what it does to them
6:20 – Film is a business, not a public service — and film school gets this wrong
7:25 – Jim Carrey, Michael Jackson, and what happens when nobody says no
10:55 – Plastic surgery, masculinity, and actors who should leave their faces alone
12:46 – Lee Marvin, Gene Hackman, and the men who used to be on screen
16:25 – How Hollywood got feminized — and why straight guys couldn't do their jobs anymore
19:06 – Military guys on film sets — why they beat film school graduates every time
21:32 – Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown
25:04 – Why he made his lateral move out of LA in 2019
27:30 – White male shit libs coming at him on Facebook
30:56 – Comedy as a masculine art form — why wokeness couldn't kill it
35:00 – George Floyd, Memorial Day, and saying what you actually think
37:25 – The unwritten rule: the black guy can't be the butt of the joke
43:28 – Roy Price, MeToo, and the careers that got destroyed
45:01 – John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories
50:37 – The sushi bar incident — actress hits on producer, ignores her date
54:24 – Bikini casting, auditions, and what actresses will do for a role
58:12 – Who is Rambo Van Halen — and why the pseudonym?
1:01:16 – Why he wrote Hollywood Samizdat as a journaling exercise
1:03:08 – On publicist spam, bad podcast guests, and only booking people worth talking to
1:04:01 – Outro — where to find Rambo Van Halen
ABOUT THIS EPISODE
Former Hollywood producer Rambo Van Halen (not his real name, and probably never will be) joins Lou to talk about what a producer actually does, what happens to actors when nobody tells them no for 20 years, and the feminization of Hollywood.
We also get into why straight guys stopped being able to do their jobs, military veterans vs. film school graduates on set (no contest), the unwritten casting rule about who can and can't be the butt of the joke, the careers MeToo should have ended and the ones it shouldn't have, the jaw-dropping Joe Gatt story, and, somehow, Werner Herzog, Klaus Kinski, and the Amazon river.