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Lionel Shriver: Cultural Appropriation and Goodness in Art

KEY MOMENTS

0:00 – Intro: novelist and journalist Lionel Shriver
0:39 – Paywalls and paying for journalism
2:40 – Rolling Stone's pay-to-publish council
3:37 – Substack, Andrew Sullivan, and dissident voices
5:39 – Tech platforms, exile, and Joe Rogan on Spotify
7:39 – Publishing fiction in an anxious climate
10:37 – Fired by social media mobs and J.K. Rowling
11:43 – Separating art from the artist
13:11 – Hachette drops Woody Allen's memoir
14:26 – Activism versus doing your job well
15:42 – Too much concern with goodness in art
19:49 – Brooklyn's self-righteous neighbors in 2020
22:52 – Life after Trump and Biden's left flank
26:14 – Executive orders and women's sports
28:37 – Cultural appropriation in fiction
32:11 – Sensitivity readers as self-appointed ambassadors
34:46 – People who object to books never read them
35:24 – A risky character in The Motion of the Body Through Space
36:46 – Glenn Loury, John McWhorter, and diversity hires
39:39 – What we want from literature
41:26 – How Lionel builds her characters
43:51 – We Need to Talk About Kevin and school shootings
45:34 – The Mandibles, national debt, and inflation
50:25 – New York Forever and leaving the city
53:54 – Hollowed-out New York and London
54:43 – New York's selective schools and leaving for good
56:46 – Teen readers of We Need to Talk About Kevin
57:28 – Wrap-up and Locals questions

ABOUT THIS EPISODE

Novelist and journalist Lionel Shriver, a friend of Lou's, joins Lou to talk about cultural appropriation, the problem with goodness in art, and the coming economic collapse.

We also get into paywalls and paying for journalism, Rolling Stone's pay-to-publish council, Substack and dissident voices, publishing fiction in an anxious climate, Hachette dropping Woody Allen's memoir, Brooklyn's self-righteous neighbors in 2020, sensitivity readers, people who object to books they never read, how she builds her characters, We Need to Talk About Kevin, The Mandibles and the national debt, and leaving New York for good.

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