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Brett R. Smith: What's Wrong with Comic Books Today

KEY MOMENTS

0:00 – Intro: comic book artist and colorist Brett R. Smith
0:36 – Val Kilmer in Real Genius and Top Secret
5:40 – Gen X pop culture and Romancing the Stone
9:24 – Kathleen Turner's hero arc versus the Mary Sue
12:21 – War of the Roses and Robert Zemeckis
15:21 – Why going to the movie theater got worse
21:39 – The popcorn gag in Diner and live audiences
24:42 – Garry Shandling and The Kids in the Hall
27:36 – Movie stars the camera loves, from Redford to Cruise
29:58 – Jack Carr's The Terminal List: Dark Wolf
31:42 – Streaming's flaws and Amazon's hits and misses
32:41 – Taylor Sheridan's 1883 and action for women
34:10 – Yellowstone's jiu-jitsu fight and great TV writers
36:55 – Yellowstone as a modern Dallas
40:27 – Landman, rewatchable TV, and Tom Selleck
42:49 – The state of Marvel and DC comics
45:05 – Woke comics and the shift to manga
46:54 – Boy brands: He-Man, G.I. Joe, and Thundercats
50:09 – Writing for kids without underestimating them
52:21 – Indie comics, Rippaverse, and Graham Nolan
53:43 – How colorists get paid and royalties
55:47 – From alcohol markers to Photoshop
58:00 – Remote work and the decline of the big two
59:59 – Taking great care in storytelling and wrap-up

ABOUT THIS EPISODE

Comic book artist and colorist Brett R. Smith joins Lou to talk about the state of Marvel and DC, why going to the movies got worse, Gen X pop culture, and why Val Kilmer was underrated.

We also get into Real Genius and Top Secret, Kathleen Turner's hero arc versus the Mary Sue, the popcorn gag in Diner, Garry Shandling and The Kids in the Hall, movie stars the camera loves, Yellowstone as a modern Dallas, Landman and Tom Selleck, woke comics and the shift to manga, He-Man, G.I. Joe, and Thundercats, Rippaverse and indie comics, how colorists get paid, and going from alcohol markers to Photoshop.

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